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By Susan Granger - Disney’s vivid, new interpretation of Charles Dickens’ classic holiday tale of an old miser’s redemption has become a 3-D fantasy-adventure, envisioned by one of Hollywood’s most innovative directors, Robert Zemeckis (“Back to the Future” trilogy, “Forrest Gump,” “Who Framed Roger Rabbit,” “Polar Express,” “Beowulf”), with versatile Jim Carrey playing grinchy Ebenezer Scrooge at four different stages of his life, plus all three Christmas ghosts.

In London, 1843, Scrooge is enduring the onset of yet another holiday season. Far from joyous, he leads a miserable, lonely, isolated life, hoarding his money, abusing its power, rebuking his faithful clerk, Bob Cratchit (Gary Oldman), and snapping at his ever-optimistic nephew, Fred (Colin Firth). Then, on the seventh anniversary of his death, Scrooge’s former business partner, Joseph Marley, bound in chains, dispatches three transformative ghosts to Scrooge’s bedchamber, hoping to achieve a reprieve for his soul. That initiates a wild, time-traveling thrill-ride as Scrooge is forced to confront his past, present and future.




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Zemeckis and his team achieve amazingly detailed, articulated animation, utilizing performance-capture technology. This complex special effects technique records an actor’s expressions and movements, translating them into a digital mode. Each actor wears a heavy spandex suit and helmet covered in dots that are read and interpreted by the camera, which also records a myriad of different facial expressions. Then key-frame artists embellish the virtual essence of the actor’s performance. After that, additional artists utilize inventive production design and the skill to create a truly collaborative work of animation that re-imagines the environment of Victorian London, soaring through the city streets and flying up above the rooftops, significantly amplifying the dramatic narrative. Obviously, it’s that total freedom of movement that most intrigues Zemeckis.

First published on December 19, 1843, this timeless Dickens novella has featured a wide variety of Scrooges, including Albert Finney, George C. Scott, Bill Murray, Alistair Sim, Rowan Atkinson, Patrick Stewart and Jim Backus as Mr. Magoo.

On the Granger Movie Gauge of 1 to 10, “Disney’s A Christmas Carol” is an intricate, ingenious – often scary 8, soaring into the holiday season.


© 2009 Susan Granger - “Disney’s A Christmas Carol” (Disney)






© 2010 Arizona Reporter (reproduction prohibited)
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Entertainment

LOS ANGELES, Calif. - Filmmaker, Scott McCullough (The Exorcism Diaries, Prince Unauthorized) is working on a script in association with U.S. based Producers, Silver Lining Pictures, according to the filmmaker and industry sources. "Born by the River-The Story of Sam Cooke" is the story of a man affectionately referred to as "The King of Soul" and one of the fore founders of soul music. Known for his unique voice, meaningful lyrics and wide influence of today's world of music. Cooke, authored songs such as "You Send Me", "A Change Is Gonna Come", "Chain Gang" and "Wonderful World" among his most influential hits. The former gospel artist turned pop-icon died after being shot in a Los Angeles motel in 1964.
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Quantum Leap Thinking

How many wonderful ideas have never been put out in world because their creator was afraid of appearing foolish? How many people have stifled their creativity because of fear? How many of you have never allowed your creative vision to become reality for fear of asking for help or creating a partnership? Far too many, I'm afraid.
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Around Arizona

WINSLOW, Ariz. - Jackson Browne may have made bundles of cash on his hit song, "Take It Easy" and his famous lyrics, "Standin' On A Corner In Winslow, Arizona"; as for life in this small town there's a dedicated few who made a few things possible, in order to bring life back to this once booming 'Route 66' town.
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Arizona Guide

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Susan Granger Reviews


Usually, when the only critics screening of a star-driven spy thriller is just two days before opening, it's an indication that there's a problem. And there is. This is not an action movie, and it's certainly not a conventional thriller. Not that it isn't intriguing. It is - if you're into meditative, minimalist, non-commercial, European-style filmmaking.

Harvey Critic


It's chic for a movie critic to say that "the book is better," but in this case-considering that the story is a slow-moving psychological suspense thriller-Martin Booth's 1990 novel is the way to go. As you turn the pages you will doubtless wonder what comes next, the type of tale that intrigues on the page but comes across inert on the big screen. As directed by Anton Corbijn, "The American" is spare of dialogue (script by Rowan Joffe and the novelist), the music by Herbert Grönemeyer either non-existent or anything but intrusive, with a landscape in Italy's Abruzzo region that's, what should we say, European? The medieval town built on a hill, scene of most of the action, would be nice to drive through but would hardly entice tourists to stay overnight. This is the sort of place, however, that a fellow in the service of assassins might want to live, a form of redemption that he would not likely find in his home country but rather as an expatriate living the quiet life away from what novelist Martin Booth calls "the shadow-dwellers."

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