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Angelina Jolie could turn out to be the #1 action star in the world. She's that good in a role written for Tom Cruise but rejected by him as being too similar to that of Ethan Hunt in the "Mission Impossible" franchise. She's a top-notch CIA agent who is accused of being a Russian spy and goes on the run in order to figure out who set her up.

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"Salt" (Columbia Pictures/Sony)



SaltAs the tense political thriller begins, Evelyn Salt (Jolie) is being tortured in a North Korean prison. Then, escorted by CIA colleague Ted Winter (Liev Schreiber), she's ‘exchanged' at the border and reunited with her husband, a German arachnologist (August Diehl). Some time later, back in Washington, she's suddenly accused of being a sleeper spy by Orlov (Daniel Olbrychski), a Russian defector who claims she was planted in the U.S. many years earlier by the Soviets as part of an elaborate plan to assassinate the Russian president on a visit to New York and take over the American government. Fearing for her husband's life as well as her own, ever-resourceful Salt flees - with agents Winter and Peabody (Chiwetel Ejiofor) in hot pursuit, as a myriad of misinformation and espionage double-crosses cloud the true identity and purpose of Evelyn Salt.

Having written the character as Edwin A. Salt, screenwriters Kurt Wimmer, and Brian Helgeland and director Phillip Noyce ("Patriot Games," "Clear and Present Danger") not only juggled the gender switch but also engaged stunt coordinator Simon Crane ("Lara Croft: Tomb Raider," "Mr. & Mrs. Smith") who coached Jolie in Muay Thai martial arts and the Israeli grappling technique known as Krav Maga. According to Crane, Jolie's an expert driver, rides motorcycles superbly and has no fear of heights, rendering the pulse-racing aerobatics more plausible than the plot. Yet it's too bad there's no sense of humor to temper her furious ferocity.

With the recent real-life Russian spy swap still in the headlines, on the Granger Movie Gauge of 1 to 10, "Salt" is a timely, enigmatic 8, featuring Hollywood's most alluring female fighting machine.

By Susan Granger © 2010. Review of "Salt" (Columbia Pictures/Sony)



© 2010 Arizona Reporter (reproduction prohibited)
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Entertainment

I like two types of films, action and westerns, both with guns, balls and beautiful women. Bullets and blood are exactly how Sly closed out his infamous Rambo franchise and as a director he has learned a vital ingredient in filmmaking-to surround oneself with the finest in the trade that can compliment the grittiness and violence his more recent films are known for.
Probably one of the best examples of Tourette Syndrome I can think of is the Irish bartender characterized by (Gerard Parkes) in Troy Duffy's directed franchise - The Boondock Saints. Simple or complex the neurological disorder affects more people than one would imagine. Historically having its suffers labeled with being demon possessed.

Quantum Leap Thinking

How many wonderful ideas have never been put out in world because their creator was afraid of appearing foolish? How many people have stifled their creativity because of fear? How many of you have never allowed your creative vision to become reality for fear of asking for help or creating a partnership? Far too many, I'm afraid.
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AZR - It's that time of year again as the monsoon rains peak; only to to give way to humidity, fruit flies and the upcoming mosquito season. Were taking this opportunity to share with you a couple tricks to ridding your home of these pesky bugs.



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Susan Granger Reviews


When many critics, including me, review a movie they take into consideration how well it accomplishes what it sets out to do. If it's a B horror-flick, is it a real fright-fest? Do you cringe? Do you shriek? If the answer is yes - then it accomplishes what it's meant to do, like "Snakes on a Plane."

Harvey Critic


It's chic for a movie critic to say that "the book is better," but in this case-considering that the story is a slow-moving psychological suspense thriller-Martin Booth's 1990 novel is the way to go. As you turn the pages you will doubtless wonder what comes next, the type of tale that intrigues on the page but comes across inert on the big screen. As directed by Anton Corbijn, "The American" is spare of dialogue (script by Rowan Joffe and the novelist), the music by Herbert Grönemeyer either non-existent or anything but intrusive, with a landscape in Italy's Abruzzo region that's, what should we say, European? The medieval town built on a hill, scene of most of the action, would be nice to drive through but would hardly entice tourists to stay overnight. This is the sort of place, however, that a fellow in the service of assassins might want to live, a form of redemption that he would not likely find in his home country but rather as an expatriate living the quiet life away from what novelist Martin Booth calls "the shadow-dwellers."

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